“This was EXACTLY what I was looking for. The editorial letter was perfect. I walked away with clear ideas of what to work on, and most importantly, the motivation to do them (it wasn’t so many suggestions I dreaded tackling it, quite the opposite). Lewis’ suggestions were so helpful and easy to apply. I haven’t been this excited about working on this novel in a long time.”
You've read this manuscript so many times you just can't see it anymore.
You know something isn’t working. You’ve known for a while. But every time you sit down to face the problem, you’re left with a different answer. Maybe it’s your protagonist? Maybe it’s the middle of the story? Or maybe the middle is actually fine and the problem is your finale doesn’t have enough stakes…
You genuinely can’t tell anymore.
The most frustrating part? Once upon a time, you trusted yourself. But then you stepped into your second draft. A messy first draft is fine, but this is the version readers will actually read, and that means every decision is now make-or-break. Which is why, when someone asks you how editing is going, you say “I’m getting there,” because “I can’t even tell if I’m making this better” doesn’t exactly inspire confidence.
Meanwhile, your revision to-do list is always growing. Every piece of feedback and craft book you read adds more confusion, and truthfully—you’re no closer to “the end” than you were a year ago.
